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  • Galina Blankenship

The Turkish Language Reform... May Never End

Updated: Sep 20


In the first years of studying Turkish, I was struck by several observations:

  • The Turkish grammar is incredibly easy to learn: The rules are written out as simple mathematical equations, with almost no exceptions to the rules! To a math lover like me, this was a dream come true.

  • The Turkish spelling is phonetic (spelled as written, with each letter retaining its sound), and Turkish sounds were pretty close to Russian ones. For some reason, however, I had trouble pronouncing French loanwords. It was hard not to shift to the English accent. Besides, when I tried to pronounce the typically long French loanwords, I felt strangely pretentious, which may have been the reason why French loanwords seemed to be preferred mostly by young urban girls and women.

  • The Turkish lexical acquisition, however, was not as light-hearted. Every word, it seemed, came in pairs of synonyms with no significant differences: e.g., siyah and kara, şahıs and birey, ümit and umut, zengin and varlıklı, beraber and birlikte, emniyet and güvenlik, basit and kolay, and many many more. When I asked which of the synonyms worked better in a given context, I'd get a shrug or a "Aynı şey, canım..." in response. As it happens, when needing to make a choice between the paired words, I'd naturally go for shorter ones, which, by default, ruled out any Arabic-Persian-origin words.

  • And finally, nothing could prepare me for the maddening complexity of the Turkish syntax. Highly idiomatic, Turkish may be both mystifying and infuriating. The banality of everyday life often sounds poetic in Turkish: e.g., Çişim geldi in Turkish means "I need to pee," but literally translates as "My pee has arrived," or "I couldn't sleep" is expressed with the imaginative Uykum kaçmıştı (lit. "My sleep escaped"). The most important feature of Turkish syntax is that the auxiliary element always comes before the main element. Turkish is a very descriptive language, and adjectives or adjectivals abound, which always come before what they describe. If Turkish can make something into an adjective, including relative clauses, then it will do so. Sentences with lengthy adjectival descriptions, compound subjects and compound objects, and verbs invariably in the end of the sentence, albeit with a certain rhythmic quality to them, are often difficult to follow. The Turkish legalese still suffers from the Ottoman penchant for ornate and meandering rhetoric, at times stringing dozens of phrases on end and often burdening the language with tautological repetitiveness and redundancies. It's as if Turkish writers cannot help but filling the space between the subject and the verb with as many details as possible. Sometimes, the only way to know where the subject ends and the object that follows begins is a comma between them, but, sadly, Turks often forget to use punctuation.

The transformation of the Turkish language has become a grandiose national phenomenon, no doubt! However, after the incredible feat of Atatürk’s reforms, why does the language still feel like needing another reform? And what is behind the Great Turkish Lexical Paradox?


Here is what I have learned.


Dancing dervishes in a trance-like state


Starting from the early ages of the Ottoman Empire, Arabic and Persian loanwords were so abundant that genuine Turkish words were hard to find. As the Empire increasingly opened to the processes of industrialization and modernization, the Turkish language experienced a new wave of borrowing from Western European languages, mostly French and, later, English.


The extensive loaning of words came together with the grammatical systems borrowed from Persian and Arabic and certain writing conventions, in particular, punctuation, borrowed from French and English.


By the time of the Ottoman Empire's fall and the establishment of the Republic of Turkey, the language used by Turks had become a confusing amalgam of disparate languages. To encourage the development of a new national identity by employing a new national language, the Republic's prominent writer and politician Ziya Gökalp, in his “The Principles of Turkism,” defined the zeitgeist of the language policy:


To create a national language, we need to get rid of the Ottoman language, as if it has never existed; to accept the language used in folk literature as our national language; and to write using the vernacular spoken by Istanbul residents, especially, by women living in Istanbul…

However, cutting out the heavily ornate Arabic and Persian, as well as other foreign borrowings was no easy task and required linguistic reengineering on a massive scale. For the borrowed vocabulary had made up well over 50% of the Ottoman Turkish and included nearly all abstract ideas and most of the terms used in administration, government, religion, and the law.


The “catastrophic success” of the Turkish language reform of the late 1920s, as Geoffrey Lewis famously described it, laid the foundation for the modern literary Turkish language.


The Turkish Language Society (TDK)


Established by Atatürk’s himself as the national authority on the literary language and writing conventions, the Turkish Language Society (Türk Dil Kurumu, TDK) headed the national language purification efforts. Thanks to Atatürk’s bequeathing half of his fortune to the Society, the TDK was able to expand the Turkicization project between 1932 and 1950 with a relative autonomy.


Hunting for new words, the TDK turned to ancient Turkic text, folklore, the Istanbul vernacular, and their own imagination. Aided by the rich morphology of the Turkish language, they came up with some ingenious finds and coinages:


  • Colloquial findings: e.g., kuzey (north) and güney (south) replacing the Arabic şimal and cenup; alan (area); çaba (effort); yitirmek (to lose); kıvanç (honor); ödül (prize), etc.

  • Coined compounds: e.g., altyapı (infrastructure, lit. “underneath-structure”) instead of the French imitation enfrastrüktür; sıkıyönetim (martial law); bilgisayar (computer) replacing the earlier elektronik beyin or kompüter; çağdaş (contemporary) instead of the Arabic muasır; sağduyu (common sense) replacing aklıselim; gecekondu (squatter settlement, lit. “night-put”), etc.

  • Old text excavations: e.g., konuk (guest), tanık (witness), kez (times), and sonuç (result, conclusion) instead of Arabic misafir, şahit, defa, and netice; nitelik (quality); giysi (clothing); il (district); oran (proportion); tartışmak (to discuss an issue with smb., lit. “to weigh each other”); the wildly popular örnek (example, pattern) that also pushed a few buttons after having been established to be an ancient borrowing from Armenian, etc.

  • Coinages and neologisms: e.g., doğum (birth); ölüm (death); uçak (airplane) replacing the previous coinage tayyare; gelenek that totally ousted the Arabic anane; okul (school) claimed to simply coincide with the French école and the English school; boyut (dimension) ostensibly coined by Atatürk himself from boy (length) as a replacement of the Ottoman buut (from the Arabic bu'd). 🔮 And of course, neologism itself is another neologism!




The TDK’s Successes & Failures


Eager to purge of any Arab-Persian vestiges, which, in the minds of progressives, were associated with the medieval backwardness of the Ottoman Empire, the TDK ran into problems.


Doomed from the beginning were the attempts to replace the borrowings that had long since become part of the everyday life: e.g., Persian duvar (wall) and pencere (window), Arabic sandalye (chair), Greek iskemle (bench), Romanian masa (table), or Italian karyola (bedstead).


Moreover, an irreconcilable, if misinformed, purism risked producing ambiguity, total incomprehension, or tautological gridlock: e.g., yazar bir yazı yazdı (the writer wrote an article [writing]). So, when yazın was proposed as a replacement for the Arabic edebiyat (literature), it understandably hurt people’s stylistic sensibilities. Yapıt (creation, work) paled in comparison with the Arabic eser, and so did devinim (movement) next to hareket (Arabic).


Some neologisms, having failed to replace their superior predecessors, managed to survive by occupying a niche area of specialization, which was certainly needed in the increasingly industrialized world. Thus, yeğni (light) could not replace Arabic hafif, but was readily adopted by chemists: yeğni asit (weak acid). Proposed as a substitute for Arabic maddî (material, materialistic), özdeksel is nowadays exclusively used in the context of philosophy. Gökçe did not really measure up to the beautiful Arabic mavi. Still, it has survived as a common Turkish female name, meaning “pleasant, beautiful.”


Although nesne (thing) turned out to be a good replacement for the Arabic şey in its general use, it could not possibly replace the latter in its idiomatic use. Turks use şey as a common filler, similarly to yani (you know, meaning...), işte (so, you know), and falan (stuff like that, and whatnot).


🔮 The story goes that when Atatürk was trying to find a Turkish equivalent for şey, someone frustratingly remarked, “We can’t do that! At the Last Judgement, when all the millions of Turks who have ever lived are raised from the dead, the first thing they say will be Şey!”



Sun-Language Theory

In 1935, unable to come up with satisfying replacements for every borrowing, the TDK found a temporary respite through the introduction of the so-called Güneş-Dil Teorisi, the Sun-Language Theory, based on a draft that Atatürk had received from an Austrian Serb, Dr. Hermann F. Kvergić.


Amusingly, this theory of language development maintained that Turkish was the mother of all languages. So, it was no longer necessary to search for pure Turkish words to replace Arabic-Persian borrowings since all the words were Turkish in origin to begin with.


After Atatürk’s death in November 1938, the Sun-Language Theory was thankfully abandoned, and the Turkish Language Society continued its work of “purifying” the Turkish language.




Doublet Phenomenon in Turkish


Many of the TDK’s replacements that failed to supplant their precursors were themselves adopted, further ballooning the already existing vocabulary. For example, the ill-fated attempt to replace the Arabic istiklal (independence), inkılap (revolution), millet (nation), and the Persian şehir (city) with the newly minted bağımsızlık, devrim, the Mongolian ulus, and the Sogdian kent led to the adoption of all these words. “Space” came to have two identical synonyms: feza (Arabic) and uzay (based on